Graphic Witness: visual arts & social commentary

Graphic Witness home page
Scenes from the Slaughterhouse:
a selection from Sue Coe's Porkopolis

slaughterhouse
above: Slaughterhouse, Tucson. Copyright © 1989 Sue Coe.
[All images copyright © Sue Coe]
This page is designed for quick downloading. Rather than display thumbnails in a "gallery" format, this page provides hypertext titles of prints and paintings that link to the full image. Use the browser 'back' button to return to this page from any of the images selected.

To view the same images but first see them as thumbnail details, all on a single page, select this link.

A number of these images were published in Dead Meat, available at bookshops and libraries, with a limited number of first editions now being sold through SUE COE DIRECT

The Boot,1989. etching and aquatint on Rives heavyweight white paper.

Entrance, 1998. mixed media drawing

Goat Outside Slaughterhouse, Pa., 1990. copper plate aquatint on German etching paper

The Hot Floor,1989. etching and aquatint on white heavyweight Rives paper.

Hot House Lambs,1989. etching and aquatint on white heavyweight Rives paper.

Jimmy Carrying Veal, 1991. copper plate etching and aquatint on Rives heavyweight white paper

Judas Sheep, 1990. Sepia photo-etching on Rives heavyweight White.

Last Bit of Daylight, 1990. b&w photo etching on Rives, titled in plate.

Meat Flies, 1991. mixed media on paper

The Nocking Pen, 1989. etching and aquatint on white heavyweight Rives paper.

The Selection,1991. stone lithograph on BFK Rives Cream
printer: Kevin Garber at Washington University, St. Louis, MO.

The Selection, 1990. color drawing

Singeing, 1990. etching/aquatint on Rives.

Sticking, 1989. etching and aquatint on white heavyweight Rives paper.

Stockyard, 1991. copper plate etching and aquatint on Rives

The Veal Skinner,1991. stone lithograph on BFK Cream
printer: Kevin Garber at Washington University, St. Louis MO

Wheel of Fortune: Today's Pig is Tomorrow's Bacon, 1989. mixed media work on paper:
watercolor, gouache, collage, graphite, acrylic and Rembrandt black printer's ink on white Bristol Strathmore paper.

see also In Defense of Animals benefit print sale for additional work by Sue Coe.

Please note: All images in Graphic Witness are for personal enjoyment or educational use. Any other use is prohibited.