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Paul Marcus: exhibitions & bibliography

born 1953, Bronx NY || BFA Cooper Union 1972-76; MFA U. of Buffalo 1976-78

All images © Copyright 1999 Paul Marcus

statement || recent work || Paul Marcus Direct: print sales

Selected Solo Exhibitions || Selected Group Exhibitions || Bibliography


ACA Gallery New York City


P.P.O.W. New York City


Paintings by Paul Marcus curated by Susan Abeth, Visceglia Art Center, Caldwell College, Caldwell New Jersey


Yvonne's Story P.P.O.W. and traveling to Intermedia Arts, Minneapolis; The Boulder Arts Center, Boulder Colorado; The Corcoran Museum of Art, Washington DC


Brody's Gallery, Washington DC


A Life P.P.O.W. New York City


P.P.O.W. New York City


P.P.O.W. New York City

Selected Group Exhibitions


May Day Show P.P.O.W. New York City


Paul Marcus - Sue Coe ACA Gallery, New York City


Cut in Wood John McEnroe Gallery [New York] and Gallerie Michael Beck, Leipzig


Art at the Armory curated by Beryl Wright, Contemporary Museum of Art, Chicago


I, Myself and Me: Twentieth Century and Contemporary Portraits Midtown Payson Galleries New York City
Urban Realities Thomas J. Walsh Art Gallery, Fairfield CT
Good-bye to Apple Pie DeCordova Museum and Sculpture Park, Lincoln MA


Media and Metaphor curated by Robert Atkins and Tom Sokolowski, organized by Independent Curators, Inc. and traveling to Emerson Gallery, Hamilton College, Clinton MY; Center on Contemporary Art, Seattle; Sheridan Art Gallery, Kutztown PA; Musee d'Art Contemporain, Montreal; Grey Art Gallery, New York City


The Lazaretto: an installation about the current status of the AIDS crisis P.P.O.W. New York City and traveling to C.A.G.E., Cincinnati OH
The 1980's -- Prints from the Collection of Joshua P. Smith National Gallery of Art, Washington DC


Reagan: American Icon Center Gallery, University Center, Lewisburg PA
Art About AIDS Freedman Gallery, Albright College, Reading PA


Committed to Print Museum of Modern Art and traveling to University Art Galleries, Dayton OH; The Peace Museum, Chicago; Glenbow Museum, Calgary Alberta; New York State Museum, Albany; Spencer Museum of Art, University of Kansas, Lawrence; Newport Harbor Art Museum, Newport Beach CA
Unknown Secrets: Art and the Rosenberg Era curated by Nina Felshin; Hillwood Art Gallery, Long Island University; Massachusetts College of Art North Gallery, Boston; Olin Gallery, Kenyon College Gambier OH; Palmer Museum of Art, University Park PA; University of Colorado Art Gallery, Boulder; Installation Gallery, San Diego CA; Spertus Museum, Chicago; Aspen Art Museum, Aspen CO
The Jewish Museum Collects: A Five Year Review The Jewish Museum, New York City


Grass-Roots-Agriculture in Transition Gallery 53/Smithy Artworks, Cooperstown NY and Grosvenor Gallery, Cobleskill NY
All the News that's Fit for Prints P.P.O.W. Gallery New York City and traveling to The Print Club, Philadelphia; Akron Art Museum, Akron OH; Anderson Gallery, Virginia Commonwealth University, Richmond; Contemporary Arts Museum, Houston TX


Painting and Sculpture Today: 1986 Indianapolis Museum of Art, Indianapolis
Oppression/Expression Contemporary Arts Center, New Orleans LA
Jewish Themes/Contemporary American Artists Spertus Museum, Chicago
Urban Visions curated by Amy Simon, Adelphi University, Garden City NY


New York/New Art Vorpal Gallery, San Francisco
Innocence and Experience Greenville County Museum of Art, Greenville SC
The Rape Show Ohio State University, Columbus


New Portraits curated by Jeffrey Deitch, P.S.1, Queens NY
Group Exhibition Andre Emmerich Gallery, Zurich Switzerland
Notes from the Underground Allan Frumkin Gallery New York City


Art and Law juried by Jack Levine, Minnnesota Museum of Art and traveling to State Bar Association, Omaha NE; Tulane University, LA; Dallas City Hall, TX; State Bar Associations in Austin TX and St. Louis MO

Selected bibliography

Baker, Rob. The Art of AIDS from Stigma to Conscience New York: Continum Publishing Company, 1994. p. 145.

Braff, Phyllis. Seeing the City as Artists Do The New York Times October 25, 1987.

Brenson, Michael. Bringing Fresh Approaches to Ages-Old Jewish Themes The New York Times Sunday, August 3, 1986 p. 27

____________. review The New York Times February 20, 1987 p. 27.

____________. review The New York Times April 13, 1987 p. 13.

Burchard, Hank. Portraits in Courage The Washington Post December 18, 1992.

Chadwick, Susan. Art with a Message The Houston Post June 24, 1988 p. 3.

Cotter, Holland. review, Arts Magazine April 1984 p. 37.

Daniels, Charlene D. Art that Exposes Family Crises USA Today October 6, 1992 p. 5 [reproduction].

Feitlowitz. Paul Marcus: Prints for the People The Print Collector's Newletter Vol XVI: No. 4 September/October 1985 pp 126-127.

Gambrell, Jamey. All the News that's Fit for Prints: A Parallel of Social Concerns of the 1930s & 1980s The Print Collector's Newsletter Vol. XVIII: No. 2 May/June 1987 p. 52-55.

Hess, Elizabeth. In the Rose Garden The Village Voice November 19, 1991 p. 100.

__________. No Way Out The Village Voice February 22, 1992.

Lipson, Karin. New York: Grit and Glamour Newsday October 2, 1987.

Macionis, John J. Sociology New York: Prentice Hall, 1996. pp 19, 300, 649.

McWilliams, Martha. Life Story Washington City Paper December 18, 1992 [reproduction].

Muchinc, Suzanne. Committed to Print, Committed to the Left The Los Angeles Times March 8, 1988 [reproduction]

Raven, Arlene, review The New Art Examiner June 1987 p. 54.

Richards, Paul. Paul Marcus at Brody's The Washington Post Saturday June 25, 1988.

Smith, Roberta. Art: Committed to Print on Political Themes The New York Times Friday, February 5, 1988 p. 26.

__________. Response to AIDS Gains in Subtlety The New York Times February 18, 1992.

Sofer, Ken. review New editions Artnews October 1987 p. 133.

Tallmer, Jerry. Dying Was No Picnic The New York Post November 8, 1991.

Temin, Christine. At DeCordova, a Piercing Look into Family Secrets The Boston Globe September 25, 1992 pp. 27, 40 [reproduction].

Please note: All images in Graphic Witness are for personal enjoyment or educational use. Any other use is prohibited.

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